damselfly press http://damselflypress.net A Gathering of Women's Voices Tue, 19 Jan 2016 17:35:39 +0000 en hourly 1 http://wordpress.org/?v=3.1.1 Publication of Thirty-Fourth Issue and Call for Submissions http://damselflypress.net/editorial/publication-of-thirty-fourth-issue-and-call-for-submissions-2/ http://damselflypress.net/editorial/publication-of-thirty-fourth-issue-and-call-for-submissions-2/#comments Thu, 14 Jan 2016 14:54:03 +0000 Jennifer http://damselflypress.net/?p=811 We pause in moments of stillness. Something crystallizes and makes us catch our breath. Maybe we are stricken by beauty or maybe by something mundane. The work in this issue focuses on the pauses as we wait.

The thirty-fifth issue of damselfly press will be available April, 15, 2016. If you’d like to submit, please first visit our guidelines section and send us your submission by March 15, 2016.

As always, thank you to our readers and submitters.


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Issue Thirty-Four http://damselflypress.net/poetry/issue-thirty-four/ http://damselflypress.net/poetry/issue-thirty-four/#comments Thu, 14 Jan 2016 14:39:14 +0000 Jennifer http://damselflypress.net/?p=799 I Remember Saying

Don’t do that.
Don’t walk down the driveway
to your car without looking back.
Better yet, don’t open the front door
before you kiss me and don’t read
the new novel I just brought home
before I do. I hate that—you getting

ahead of me. So don’t
eat the last slice of apple pie
without sharing half, bite by bite, crumbs
in our laps. And please don’t slip into sleep
before I tell you how the bluejays
rocked the birdfeeder back and forth
while I wrote this and don’t let me fall asleep
before I feel the sheets ripple with your quiet laughter.

- Lisa Zimmerman’s poetry and short stories have appeared or are forthcoming in Colorado Review, The Florida Review, Natural Bridge, Gravel, Cave Wall, and Poet Lore, among other magazines. Her most recent poetry collections are The Light at the Edge of Everything (Anhinga Press) and Snack Size: Poems (Mello Press). She is an associate professor at the University of Northern Colorado.


Mystery upon Mystery
For my sister Gale

But no, it is simple.
You and I stand at the corner of Willow and Morgan,
looking up at a street light’s yellow globe.

Inside it, the flakes falling toward earth look different
than snow falling everywhere else in the neighborhood.

I am eight, you are twelve.
We’ve walked in deepening lavender for blocks and blocks,
trying to decide which house is decorated best for Christmas.

I can’t see your face,
but I think that like me
you are almost perfectly happy.

Your body is now ashes,
yet we are standing on that corner.
Snow settles on your satin-fine hair.

- Francine Marie Tolf has published two poetry collections as well as a memoir and five chapbooks. Her essays and poems have been published widely in journals including Water-Stone, Poetry East, Under the Sun, Christian Century, and Contrary Magazine.  Francine lives and works in Minneapolis. Her latest book is a collection of essays, Joliet in My Blood (Port Yonder Press, 2015).


In the Dark

When our grandson stands still,
you could mistake him for a tree.
Still growing at eighteen,
this slender trunked sapling
stands among us like Gulliver.

Once a month, he comes to garden.
I have taught him how to plant a tree:
digging the hole in the shape of a cross for the roots to grow.
He laughs when I marvel at how he swings a mattock,
slicing through the soil as if it was butter.

He was still a baby when you died and we sold the farm.
He has no memories of the place.
I’m not sure if he is the world’s kindest boy but when he visits,
he asks me questions about the land, the river and the trees,
knowing that in my mind, I still live there.

In a day, he has planted, weeded and pruned this city block
and I take the afternoon tea tray up to the house
where, from the picture window, I watch him rake and tidy
for soon his love will arrive.

I make sure they don’t see me; I stand back a little in the shadows of the room
to watch her clamber up his back like a bear cub.

He walks around with her like that, gathering the tools to put away as they talk,
but the time will come when he stops,
sliding her around to the front of his hips, to kiss her.

With her legs still wrapped around his waist, her cheek against his chest, he saunters up the steps.
She drops to the ground outside my door to say their farewells.

When they have gone, I sit in the dark with two whiskies,
although I have to help you with yours.

Some nights I go back to our farm.
I start at the beginning, at the white gate at the top of the road,
gliding down to where the gap in the trees frames the waiting valley, always lucerne green.
I hear the soft hymn of the tree lined river and imagine, low above the water,
the Azure Kingfishers flashing upstream.
I graze over it all, past our sun warmed house on the rise above the river flats,
right to the edge, to where the farm ends and the forest remains.

But every night I go back to you.
Lying beside you,
trailing your contours,
your mouth sweeping mine.
Every night, I go back to feeling the depths and lengths of you.

- S.E. Street’s fiction, non-fiction, and poetry has been published in Australia, New Zealand, and the United States. She is recipient of The Dymocks Short Story Prize for fiction, the 2014 Hunter Writers Award, and the 2014 SCWC HARP award for poetry.



darling, younger darling with a heart purer than hailstorms, lovelier than the manes of galloping palominos, hindquarters glistening with sweat, eyes bright and eager to get going – we made it. that skirt you wore, the one with silhouettes of fragile birds and brown feathers, you won’t ever forget it, but you do miss it, miss the way it reminded you of grandma, her handmade things and peppermints, how a few of them probably spilled on the pavement that night, how the plastic wrappers only reflected pools of light beneath streetlights, not the pain of your rasping throat or the cool feeling of sweat trickling down your sides like melting icicles. remember that winter only lasts for a season. I wish I could tell you how to listen to the constellations, which were there long before the culture that perpetuated violations of traffic tickets, migration patterns, and bodies.

- Kelsey May’s work has recently appeared in The Maine Review, Mouse Tales Press, and Paste Magazine and is forthcoming in Barking Sycamores and Pine Hills Review. Her work has also received numerous awards including a nomination for a 2016 Pushcart Prize. She loves wearing overalls and ice skating.



You broke a bale and scattered August on

the frozen stable boards. December sagged,

her arching tail switched steadily at dawn.

We waited, talked of heifers, fogged and flagged

the conversation cleverly around

a frigid barn. December didn’t care,

she raised her head, was bearing down,

preoccupied with something in the air.

She pushed until we saw two hoofs appear;

the long gestation ruptured, braved the chill

and steaming, slipped into the atmosphere.

December stood and letting down her milk,

wasted streams of warmth around her feet.

We watched until our silence stretched like hands

through polar fronts and taciturn cool sheets.

The moon fell down, the newborn tried to stand,

but vapor veiled our faces as we laughed

together at December’s wobbly calf.

- Lea Markuson has spent most of her life living and working in remote areas of the Northwestern U.S.  She writes formal and free verse poems and is passionate about poetry and nature and how they both reflect our existence.


Listen to the Poem

Nothing changes but the words.
And even the words
reappear, argument
after argument –

Rain on the roof
pings into sleet, freezes
into silence.
We are jolted awake
by the sound of trees

In the morning,
it is as if Midas had wished
for the gift of crystal. Every
detail of the world – leaf,
twig, bit of rusted metal
is encased, inviolate and
glittering, secret and
exposed. Our argument
could be preserved
forever. But somehow – perhaps
the burden becomes too heavy
to bear, perhaps the heart begins
to thaw– somehow,
all the gods of Olympus let
go, and we do not know
or care whether it is a wedding
or a barroom brawl that sends
their wineglasses crashing

with freedom, we walk
through inches of shattered
ice, the forms of our
thoughts suddenly
irrelevant, in this world all
broken and
made new.

- Winner of the 1977 Radcliffe Poetry Prize, Eve Kodiak (aka Deborah Polikoff) has published poetry in various journals including Madison Review, Radcliffe Quarterly, and Annapurna. A consultant for the A Room of Her Own (AROHO) 2015 Women Writer’s Retreat, she is currently working on a journal of sonnets.


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Submission Period Closed for Thirty-Fourth Issue http://damselflypress.net/editorial/submission-period-closed-for-thirty-fourth-issue/ http://damselflypress.net/editorial/submission-period-closed-for-thirty-fourth-issue/#comments Tue, 15 Dec 2015 19:11:39 +0000 Jennifer http://damselflypress.net/?p=790 The submission period for the thirty-fourth issue of damselfly press is now closed. Look for the issue January 15, 2016.

As always, thank you to our submitters.


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Publication of Thirty-Third Issue and Call for Submissions http://damselflypress.net/editorial/publication-of-thirty-third-issue-and-call-for-submissions/ http://damselflypress.net/editorial/publication-of-thirty-third-issue-and-call-for-submissions/#comments Thu, 15 Oct 2015 13:38:11 +0000 Jennifer http://damselflypress.net/?p=786 For us, this time of year holds an increase in creative energy. We feel invigorated to recommit to the writer’s life. It is with pleasure that we present our autumnal offering, poems and an essay about love and loss, two of life’s greatest inspirations.

The thirty-fourth issue of damselfly press will be available January 15, 2016. If you’d like to submit, please first visit our guidelines section and send us your submission by December 15, 2015.

As always, thank to you to all of our readers and submitters.


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Issue 33 Poetry http://damselflypress.net/poetry/issue-33-poetry/ http://damselflypress.net/poetry/issue-33-poetry/#comments Thu, 15 Oct 2015 13:31:01 +0000 Jennifer http://damselflypress.net/?p=778 A LONG-AGO ENCOUNTER WITH A

Listen to the Poem

I liked the way the butter melted on the rolls. “Oh
Come Let Us Adore Him” with choral backing piped
through the speakers. Christmas lights sparkled over
the bar and a lighted Christmas tree decorated one of
the docks. The deserted rides at Cedar Point had
lights, too, and they twinkled in the distance. Later,
we went for a stroll because it was warm for the
season. Everything had an echo, the sea gulls’
laughter, their wings beating low over the tranquil
water, a dog, far away, barking at its own bark.

- Theresa Williams’s poems and stories have appeared in The Chattahoochee Review, Hunger Mountain, Gargoyle, The Sun, and other magazines. Her novel, The Secret of Hurricanes, was a finalist for the Paterson Fiction Prize.


To the Child We Never Wanted
Listen to the Poem

When we met,
we knew we did not want you.
I lacked both the emptiness
and the room
necessary for you.
He lacked the feel of a father
and the patience
someone like you would require.

When we married,
we married late,
and we knew we did not need you.
We had work to do and places to travel
and people to finish becoming. There was no space
for your rattles and rocking.

And yet we named you.
In long car rides. On Sunday afternoons.
Family names, like William and Nora and Ann.
Names we liked—Inara and Micah and Cecilia.
Names for people your not-yet mom loved: Langston and Lillian and Zora.
Those names dwindled and disappeared
becoming the pudgy fingers
and pleading cries of our friends’ children.
No matter, we thought,
because still, we did not need you.

It was June
three years later—
hot, hazy, and languid–
when we realized
the spare room
in the house we bought
never would work as an office.
Perhaps, we thought, it was your room,
full of sunlight and shade, love and luster.
An idea of you was born—
small and secret and surprising.
(Your eyes would be blue. You would be left-handed.
You would have my love of reading and his love of adventure.)
So we opened the door,
called your name quietly,
and waited.

There are names for the syndromes and symptoms
that will keep you forever out of reach,
But those names are neither William nor Nora, not Micah nor Zora.

You are the child we never wanted.
And we are calling your name softly,
full of the emptiness and the room, the fatherliness and the feeling.
But no amount of patience will bring you forth.
Oh, sweet, soft, silly child we never wanted:
We miss you.

- Meredith Malburne-Wade is a Visiting Assistant Professor of English at Gettysburg College where she teaches composition and literature. She holds a PhD in 20th-Century American Literature from UNC Chapel Hill. New to the realm of writing and publishing poetry, she is nonetheless a devoted lover of the written word.



I no longer remember the true name of the Blue Ridge.
My blood memory

sinks when I hear you say “They eat people here.”
You tear at the I.V.
You taste chocolate pudding from the spoon I hold up
to your beard stubbled but two-year-old’s grin.

and I smile when I say
You cannot know this yet, but in just one month
you will write two words on the scratch pad
I hold steady. Your words will be “mom” and “scared.”

And by spring, you will feel sweat dripping
from your temples
as you concentrate, trying so hard to grasp
that single cat-eye marble with your toes
and lift its terrible weight just one inch above the floor.

But I will tell you again that the stones we are chosen to lift
are only the old bones of the ancestors, who whisper
tendons of strength.

Even now, each word I speak calcifies
talus, tibia, femur, mandible, ribs.

- Eliza Kelley is an Associate Professor at The Sage Colleges in New York. Eliza’s published research, writing, and art appears in national and international venues. Her book, Taming the Butterfly, will be published by Cawing Crow Press in November 2015.


Suhareka, in August

Five Albanian kids in their underwear
stand in front of a blow up swimming pool.
Green, pried opened walnut fruits
are piled on the table in front of me.
All the nuts had been dug out and eaten.
Adults speak rapidly in Kosovar-Albanian.
I follow for a while and then get lost.

A bee has found its way into a forgotten cup of Sola fruit punch.
I watch as it nears the juice, not as cautious as it should be,
quickly siphoning the sweet liquid.
It can’t possibly be anything but good.
The bee slips into the juice,
at first not realizing
that it won’t be able to get back out.
It bathes itself and rolls over,
abdomen turned toward the sky, wings soaked.
There is no going back now.
The realization comes slowly and then the bee is frantic,
backstroking in circles,
slowly sinking lower each time.
Round and round and round it goes,
drowning in the sweetness.

My name is called, and I turn my head.
One of the children races by, bumping the table as he passes.
The cup falls over.
The juice and the bee spill out.
Someone is speaking to me, but I am distracted
by a half-drowned bee
crawling through the grass.

- Elizabeth Endara grew up in Lilburn, Georgia and received a Bachelor’s in English from Georgia State University in Atlanta. She now makes her home in Suhareke, Kosovo where she teaches English and Ballet.


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Issue 33 Nonfiction http://damselflypress.net/nonfiction/issue-33-nonfiction/ http://damselflypress.net/nonfiction/issue-33-nonfiction/#comments Thu, 15 Oct 2015 13:21:40 +0000 Jennifer http://damselflypress.net/?p=776 Coracle Dreams

A coracle is a one-person boat without a sail or rudder. It is light and small and made of willow rods and animal skins. Think round, like a lily pad, or a Frisbee, or a twenty-five pound walnut shell. Think three-month-old Moses floating in a papyrus laundry hamper until Pharaoh’s daughter fished him out of the Nile. Famously unstable, a coracle floats on the water rather than in it, making it vulnerable to the wind and currents. Centuries ago Irish monks like Brendan and Columba took to the seas in these flimsy vessels, trusting that they would survive the tempestuous waves. A few of the most zealous didn’t even take a paddle. Perhaps that was part of the attraction.

My son is in the Pacific Northwest camping with the woman he used to be in love with. Joel has posted the pictures on Facebook; I check them out more than a mother is supposed to do. Hunched like a giantess over my small laptop, I peer at their curated fun, scrolling through the images. Sky, trees, river. Click. Wood, whiskey, fire. Click, click. Tent, cup, clouds. Click, click, click.

The name Joel means “strong-willed” in Hebrew. There was a moment, helping him pack for the trip, when I realized he was already gone. Loading the musty tent into the trunk, the feather-leaking sleeping bag, the camp stove and coffee pot, I knew he was miles away, already down the road, deep into his own life. We raise our children to be independent. We tell them to get lost, to be brave, to strike out on their own. Then they have the nerve to do just that.

Pharaoh’s daughter isn’t named in the Book of Exodus. Even though she rescued Moses from the bulrushes and raised him as her own child, she barely gets a mention in the Old Testament. But that doesn’t mean she didn’t have a life.

Joel crouches by a frothing river, skipping stones. I can feel the solid rock in his hand, its cool surface spackling his palm. The sky is dark and dense, even though it’s the Fourth of July. The girl turns toward the camera with shining eyes, her fingers curled into claws. Her brown hair flies about her shoulders. Caption: “I’m a bear! Grrr!” Joel mugs too, arms splayed at his sides, mouth puckered. Caption: “I’m a salmon!” This is the girl who broke my son’s heart, who kept him crissing when he should have kept crossing. He holds a spatula in one hand and a beer in the other. Firelight plays over his tanned face. Salut.

I’m the mother back home, pacing in the living room, drinking coffee, stalking her kid on the computer. Seeing the camping pictures on Facebook floods me with a weird rush of envy. I want to skip stones from a riverbank too, wear an oversized wool shirt, drink moonshine by moonlight. Set me adrift, cut my line. I want time, days, nights, years of floating all over again.

Moses’ mother Jochebed put him in a coracle. She let him go. She had to. The Pharaoh, fearing a slave uprising, decreed that all male Hebrew babies should be put to death. Moses was three months old, too big to be hidden anymore. Moses whimpered a little in the basket. Jochebed’s heart gave a little twist. “Shh,” Jochebed said, then bit her lip. “Hush.” She bent down and placed the basket in the Nile and pushed it away with her big toe. Moses frowned up at her from the reeds. Then the wind stirred and he began to drift.

Joel is on the outskirts of Spokane, heading towards Montana. On the phone with his dad and me, he sounds tired. He’s ready to stop driving, to come home, but where is that? To sleep in a basement surrounded by boxes and old high school art projects? Jobless, unbound, his trip will prolong the inevitable.

I’ve never thought about where I was going. I don’t know if I caught the wave or the wave caught me. My life seems to have been a series of accidents, side trips and detours. I strayed, took short cuts, eschewed maps. I live by intuition and feeling. Small animals keep me warm. My hair is silver. I think of death and lighted Christmas trees with equal interest. When the streets flood, I worry about the woodchuck that lives in the culvert at the bottom of my driveway.

Moses was a late bloomer. When he accepted the mission to lead the Hebrews out of bondage, he was an old man—eighty years old. They knocked around lost in the desert for forty years. At the end of his life, atop of Mount Nebo and within sight of the Promised Land, he could gaze into this fabled, long-awaited country, but could not enter it. I would be bitter about this, but then Moses had a complicated relationship with God. To say the least.

I’m not good on the phone, but we talk anyway, my husband, son, and I, lassoed together by satellite. I imagine Joel driving across the monotonous brown plains, the western stars starting to come out, one by one, the sky turning deep navy. One time when he was little and mad at me, he said, “I always knew you’d turn out mean.” I had to leave the room to laugh. Now he’s saying, “I got to figure out a plan. I’ve got to do something.” Me too.

There isn’t a town that I pass through where I don’t wonder, what would it be like to live here? Is that a bad thing? To imagine so many other lives?

On one website, the coracle is described as “a personal boat.” You can carry a coracle on your shoulders like a rucksack and flip it into the water when you’re ready to go. I am not a monk or holy person. I don’t do yoga or meditate or go to church but let’s just say I’m open to the spirit. I would like to go on a pilgrimage, although I’m certainly nobody’s idea of a pilgrim. But leaving is difficult. I have five dogs and three cats. Who will love them while I’m gone? They are rescues, strays, rejects. With them, I’m a mother all over again. They don’t want me to leave. I imagine them lined up on the dock, looking anxious and forlorn. They require an ark, not a coracle.

Coracle comes from Welsh the word cwrwgl. It’s a storm-tossed word, potent, brimming with risk and danger and adventure. Scary things can happen out there on the water in a little Celtic boat. Rogue waves. Exposure. Radical dread. Tempests. Loneliness. Exquisite blackness. There are sharks out there the size of VW buses knifing through the water clean as butter and whistling orcas and temperamental clouds. Also stillness, starlight, sunsets, and songs.

I don’t have a map or a compass. I don’t know where I’m going. I don’t know what time it is, only that it’s very late. I’ve dropped my cell phone and misplaced my glasses and can’t find my yellow slicker. The weather is shifty and the landmarks keep changing and the sea is running fast. Better to stay put and wave from shore. But I want a coracle, Flying Teacups, Mr. Toad’s Wild Ride, a sailing suitcase, a portable dream.

I can feel the miles in the pictures Joel has posted. Colorado’s red rocks. Oklahoma’s dusty hills. Dust storms in Arizona, hail in New Mexico. Clouds. Sunlight. Telephone poles. School buses and cafes, tumbleweeds and road kill. All that silence, all that space.

It’s settled. I’m going. Unplug the coffee pot. Pack a life vest. Pack a seat cushion. Pack Dramamine. Unpack drama. Pack heat. Pack light. Pack a black velvet flying carpet that can skirt above the waves. Pack an escape clause. Unpack excuses.

Your own personal boat is waiting on the shore. Drag it the water’s edge. Wade through the bulrushes. Step into it. Settle down. Find your balance. Take a breath. What are you waiting for? Grab a paddle. Push off. Everybody in this story gets a name.

Leaving doesn’t solve the problem of loneliness. It doesn’t make grieving or getting old or losing love any easier. How far to the Promised Land? When do we get there? Measure the distance in heartbeats, wave lengths, paddle strokes. Navigate by starlight, study how it shimmers on the wet backs of the whales. In coracle dreams, we are all going someplace new.

- D’Arcy Fallon teaches journalism and creative writing at Wittenberg University in Springfield, Ohio. Her memoir, So Late, So Soon, published by Hawthorne Books, was about living in a remote Christian fundamentalist commune in Northern California. Her essays have been published in a number of venues, including The Sun and North Dakota Quarterly.


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Submission Period Closed for Thirty-Third Issue http://damselflypress.net/editorial/submission-period-closed-for-thirty-third-issue/ http://damselflypress.net/editorial/submission-period-closed-for-thirty-third-issue/#comments Tue, 15 Sep 2015 12:46:47 +0000 Jennifer http://damselflypress.net/?p=771 The submission period for the thirty-third issue of damselfly press is now closed. Look for the issue October 15, 2015.

As always, thank you to our submitters.


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Publication of Thirty-Second Issue and Call for Submissions http://damselflypress.net/editorial/issue-32-4/ http://damselflypress.net/editorial/issue-32-4/#comments Tue, 14 Jul 2015 17:22:47 +0000 Jennifer http://damselflypress.net/?p=742 Welcome to our thirty-second issue. Each genre is well represented this round. We continue to receive a record number of submissions – which is great and challenging, too. We wish that we could send along comments to everyone who requests them, but we aren’t able to at this point.

The thirty-third issue of damselfly press will be available October  15, 2015. If you’d like to submit, please first visit our guidelines section and send us your submission by September 15, 2015.

As always, thank to you to all of our submitters.


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Issue 32 Poetry http://damselflypress.net/poetry/issue-32-3/ http://damselflypress.net/poetry/issue-32-3/#comments Tue, 14 Jul 2015 17:18:13 +0000 Jennifer http://damselflypress.net/?p=739 TRICK-OR-TREATING AT THE MAPLEWOOD MALL
Listen to the Poem

Yesterday at the bar I heard a woman ask a man,
“but what do you remember from third grade?”
I didn’t catch his answer but on my bike ride home
I passed a couple standing next to a parked car
in an embrace.
They didn’t move as I passed.
Sometimes I think I want to be alone
but what I really want is for everyone I don’t know
to move closer.
I want to hear what every stranger in the bar remembers
from third grade.
My lunch box was Mickey Mouse,
my backpack was Casper the Ghost,
and my winter coat was red.
I wrote a report on tree frogs
and puked on my board at the class BINGO party.
Then my little sister was born.
My father stood at the top of the stairs with a video camera
the size of a box of Lucky Charms
on his shoulder.
We were watching Jurassic Park in the basement
and then there was a tiny dinosaur on my lap.
It was funny.
I had wanted a doll
so I could tuck her yellow hair behind her ear
and whisper, I promise to love you forever
but she looked like she had just discarded a prehistoric egg
and though I was the one who knew how to love dolls
my mother seemed to know better
what to do with her.
I watched her nurse for the first time
and it was the most ordinary thing.
Her hunting mouth,
her latching on.
She was so certain that this was what she needed
and she was certain of so very little.
Now when I admire a stranger’s baby
I jerk away when I see the white slip of breast.
I don’t mean to—
it is nothing like the homeless man
peeing on the sidewalk in the midday sun
but that is what I think of.
Pretend to act normal.
Pretend to act normal.
Pretend to act normal.
I could turn and ask him,
“what do you remember from third grade?”
and listen
but instead I keep walking.

- Rebecca Yates studied at the University of Minnesota and the University of Iceland. She lives in Portland, Oregon, where she is a freelance writer and the program assistant for Late Night Debut, a podcast dedicated to first books.


Listen to the Poem

She smoked all the time.
She was after some wave of blue sea,
some ribbon of flowers,
some childhood afternoon
with the oven open, an orange October,
her own mother placing warm cookies
on a plate in the kitchen.

Outside the window crimson colors,
and suddenly she was out there
dancing in lightness,
a leaf, whirling, amazing.

She smoked all the time
through my grade school years:
some television show,
some voice in the background.

Once I stood in the doorway
watched her smoke a Marlboro
right down to her fingers.

My beautiful mother
caught in
a swirl
of smoke rings, my mother
a wheel of changing color
in a clouded kaleidoscope.

She invited me to take
a drag of her cigarette.
It was moist with lipstick.
On my small mouth.
Such breath.
A mountain climber exhaling
at 15,000 feet.
A hot air balloon lifting
from a cut cropped field
waiting, waiting for
the burner to ignite.

- Gina Forberg is a recent graduate of the Manhattanville MFA program. She teaches poetry for The Connecticut Writers’ Project at Fairfield University and has published poems in numerous literary journals including The New Delta Review, Anderbo Magazine, and Slant Magazine.


Listen to the Poem

I’ve been looking for you everywhere,
but there is always too much space and not enough shadow.
So yesterday, when I entered the cave and sat on the boulder
of smooth sandstone, I found myself weeping
with relief:  it was you, your bones,
where I am home again.  Walls had been gouged
and hollowed by your blood.  The air was cool, away from time
and sun.  I could breathe your voice, I was inside
your chest, looking out
at early spring—redbuds
and dogwood just intimating
once again, with last season’s dead leaves
floating slowly, hanging in mid-air,
rusted butterflies.

- Some of Joy Dworkin’s poems have appeared in The Beloit Poetry Journal, The Paris Review, and Many Mountains Moving.  A mom, a student of mbira dzaVadzimu, and a long-time admirer of Marina Tsvetayeva and Anna Akhmatova, she teaches world literature at Missouri Southern State University.


After Building A Stage

All afternoon they test the sound.
Huge syllables of mwohs and hwans
Burst in clouds across the square.
I listen on the balcony as if
I really need to know -
But the words are moans.

Maybe the young men in shorts
Are playing the game we played
Underwater in a pool,
Guessing what each other mouths -
Abstract things like art or purple
Now just elongated vowels.

When we hear the music later,
None of us decipher the lyrics.
With wine and age,
We’ve also lost our nouns.
We dance anyway -
Seven floors up, above the crowd.

- Emily Buchanan is a publisher and writer who grew up in the U.S., studied South African literature in college, and eventually moved to South Africa.


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Issue 32 Fiction http://damselflypress.net/fiction/issue-32-2/ http://damselflypress.net/fiction/issue-32-2/#comments Tue, 14 Jul 2015 17:13:18 +0000 Jennifer http://damselflypress.net/?p=737 My Mother’s Mouth

My mother’s mouth has always been full of words. They crowded in, under, and above her tongue until they pressed tight to the roof of her mouth. Sometimes her cheeks bulged with just a few, but sometimes there were so many that they would choke her until she was forced to let them escape with loud heaving coughs. When she read stories to me at night, I pieced together the letters that fell from her mouth and followed along rather than studying the symbols on the pages. After she turned off the lights and left me alone, I would fall asleep with the words still clutched in my hands. I would walk into a room and find her sitting with a word or two on her tongue, tossing them from the back of her teeth towards her tonsils like a dealer tossing the dice. Once, after we had had an argument about a boy that I thought I had been in love with, I spent hours being angry at her smug words lying on the kitchen table in bright hues. She left them there, declining to throw them out just to annoy me.

“I can’t even find my tongue; how can you expect me to hold it?”

“That’s not funny,” I had told her.

“No, it’s not, but it’s all I’ve got.”

She has always been the most transparent person in my life. Threats always come out hallow, sarcastic comments could hit as cold as ice, and loving jokes were warm and soft despite their harsh edges. She was never mysterious or complicated. I never had to guess at her intentions.  The confusion only came when she was too excited and the words would begin to gush out before she had a chance to arrange them or consider what she was trying to say.

My grandmother and father had always been the most patient with her. They could sit for as long as she needed to rearrange words, try to make sense of them, or stick them back into her mouth to save for later. I asked my grandmother how she could sit still and wait so easily; the gene for patience must have resided in her but skipped right past me. She told me about a screaming toddler who hurled the word No from her mouth on an hourly basis. She told me about a scared little girl choking on the word monster after her uncle let her stay up late to watch a horror movie. Then she told me about my mother as a heartbroken girl who lost her crush to her best friend in the seventh grade.

“She came home with tears streaming down her face and a bad case of the hiccups. And with every little hiccup, I got more words. I got the name of her best friend and then there was a boy’s name and hurt and hate. So we sat together and rearranged the words into a letter so she could tell her friend how she felt. But by the morning, they had all disappeared. She got over it and they just faded away.”

“Weren’t you annoyed?”

“All of our feelings fade in time. Hers are just a little more obvious about it.”

I can’t count the number of times that I stood by while my mother tried to take back hurtful words. It was hard to deny that they had been said when they were still scattered around on the floor or being frantically shoved into her purse. One particularly loud fight with my father had left brands of letters on her skin that healed and faded but never disappeared.

The day before my aunt married her first husband, she and my mother were fighting in the kitchen. Even as a child I knew that loud voices suddenly dropping to harsh whispers was a bad sign. I stood around the corner, listening but unable to hear their words. When one of my mother’s words tumbled my way, I picked it up and held it in my hand for a moment before I registered how hot it was. By the time I dropped it, her heated word had left my fingers blistered and I was too scared to risk asking for her help. I spent the entire day with my hands behind my back. My only memory of the ceremony is the feeling of the petals on my still sensitive skin as I walked down the aisle scattering them. After the divorce, I stayed clear of any room that contained both women.  I didn’t want to test the temperature of the I told you so that my mother had been chewing on for weeks.

My mother could not be trusted with secrets but she was great at Scrabble and helping with my homework. Anytime I was searching for a word, I could literally snatch it from the tip of her tongue. Most of the words that she aimed my way were soft colors and textures. She woke me up for school with good mornings that were soft as clouds and her sweet dreams and goodnights hummed and twinkled like stars. When I broke up with my first boyfriend, she fed me ice cream and told me that her last words to her first crush has been so cold that she, well aware of how ice can stick to hot skin, had used mittens to throw them out.

“I didn’t want to give him the satisfaction of seeing it stuck to my hand when I went to school the next day,” she told me.

“Did you melt them down before grandma and grandpa came home?”

“Yes. Well, I threw his name against the wall because I wanted to watch it shatter. Your grandmother came home while I was cleaning it up, and I was so embarrassed. I mumbled something about dropping the ice tray, but I don’t think she bought it.”

My mother went to a very good college, and she let her education go to her head. When she was being pretentious, which was often, the words that spilled from her lips seemed to have been manufactured by an antique printing press. Her lips were often stained blue by the ink. She came home from school every vacation ready to fight with her parents about the political issues that she had been studying in class. Every picture of my mother from her years in college makes her look like she had just finished enjoying a blue Popsicle. These pictures always make my grandparents laugh, they have them framed all over their home.

She had a fear of sleeping in front of people. In junior high, she had accidentally fallen asleep in class and was abruptly woken up by the sound of her teacher banging his hand down on her desk. She had blinked and looked around to see the last words of her dream floating to the ground like paper airplanes. She had been dreaming of flight. Her teacher had stopped class to stand and watch as she, her face bright red, scurried around to clean up the mess. Too afraid to ask to walk to the trashcan, she had clenched her fists around the words until they finally faded away. After that day, she avoided sleepovers with friends, and as an adult she pinched herself to stay awake on trains. No matter how long the commute, or how far away she travelled, she never slept in public.

My father always laughed when she expressed this insecurity. He had always loved sleeping next to my mother. He told us that her dreams comforted him at night when stress kept him awake.

“Reading her dreams is better than reading any book.” Of course, he loved to see his own name falling from her lips, but he smiled when he saw mine as well. On the night that I graduated from college, my father had been drinking enough to tell me his secret.

“Sometimes I keep them.”

“Keep what, Dad?”

“Your mom’s words. At night, sometimes she has these dreams, and they’re so beautiful. She’ll be lying there asleep, and these words like pillows just kind of tumble out of her mouth. I’ve been doing it for years.”

“What kind of words?”

“Words about how much she loves us. And I just can’t watch them fade away, or wait for her to throw them out in the morning. So I put them in this box under our bed. And I do it enough that the box stays pretty full, you know? They fade, but there are always more, always another night.”

There have been times in my mother’s life when she has enjoyed her quirk. On a warm summer night, our faces flushed with wine and our fingers stained with juice from the fruit salad that we had been picking at, my mother told me about the night that she and my father first used the word love.

“I don’t remember who said it first. It was probably him. But I know that, if it was, then I said it right back.” The words led to one kiss that led to another. Hours later, love still had not faded away.

“We pushed the words back and forth between our mouths all night. It was warm and kind of squishy. It tasted like cherry cobbler.”

When my acceptance letter to my top choice university arrived, I rolled my eyes at my mother’s enthusiasm. She responded by catching her words of pride that fell from her mouth to her hands and letting out loud laughs while throwing them at me. I rolled my eyes, but carried them around in my pockets for weeks. I walked through the halls of my high school, sitting in class and talking with friends, my fingers constantly reaching down to trace the curves of the letters.

My parents often joked that I was an only child because I had been such a handful as a toddler. The words bounded off me, empty and light. They said that they loved me so much, that there was no room in their hearts to love another child. The words were heavier and warm. They had not wanted another child. I was enough for them. They did not want to try for another.

I tried and tried. I was twenty-five when I married my husband. We knew we had time, so we weren’t too concerned when I did not get pregnant right away. When I was thirty, I found out that I would never be able to conceive. We invited my parents over a week later to let them know. My mother sat still for a moment. Her hands held mine and squeezed once before releasing them and moving up to her mouth. She caught the words that hung there and handed them, one by one, to my husband and me They carried the beating rhythm of her heart, as if they were still connected to it. The words kept coming, but several were repeated over and over. You, us, family, love.

The last time my mother was in the hospital, I couldn’t stop myself from constantly thinking about my parents’ favorite story. It happened when my mother was giving birth to me. While pushing, she let out an arsenal of words so colorful that my father had been shocked that she could be so creative. The words were expertly aimed at him as he tried to simultaneously guard his face with one hand and hold on to hers with the other. The words were hard and sharp but hollow. They were bright too, much brighter than the hospital lights that were aimed down at them.

Hours later, after I was successfully brought into the world and my exhausted and relieved mother found her mouth open but empty for the first time, my father’s job was not yet done. While my mother slept, he was in charge of bagging up all the words that had stubbornly stayed put scattered around the floor of my mother’s hospital room.

“I felt like I was committing some kind of crime, sneaking though the maternity ward with this bulging bag of profanity in search of a dumpster.”

“Did you get stopped?” I asked the first time I heard the story.

“No. No matter where you are or what you’re doing, if you just pick your head up and walk like you are exactly where you’re supposed to be, no one will question you.”

I told the story to my mother one afternoon while visiting her in the hospital. I held her hand and told her the story the exact same way that it had been told to me. She smiled and laughed at the right times, but I don’t think she realized that the story was really hers, instead of mine.

The words that we gather into bags now occasionally have some colorful language in them, but they are usually not words at all. Letters tumble out from shaky lips and we try to piece them together for her. Sometimes she reaches between her lips, searching for a specific word, but the letters that she studies make no sense. Some days she is coherent enough to have something to say, but the letters just refuse to cooperate and put themselves in the right order. The words are disappearing quicker too. Sometimes they end with a short pop moments after they make their debut. Other times they stick around long enough for us to solve the puzzle for her.

After her last stroke, the doctor let us take her home and we were all relieved that we could all stop walking down those gloomy halls and into the depressingly sterile room. I know that most nights, my father continued to hold her while keeping himself awake. At night, the floorboards creaked as he got up to retrieve her words and sift through the chaos looking for anything coherent. I listened to him from my old room, my husband asleep next to me, fighting for space in the tiny bed. My mother was asleep down the hall, oblivious to the tense atmosphere around her. Only my father and I would still be awake, both of us wondering if she was happy in her dreams, or if the confusion from her waking life chased her there.

The day that my mother died, I went into their room and searched for my father’s secret stash. I don’t think he remembers telling me about it: my family has a habit of loosing our drunken memories. I used to look through the box once a year, usually on a night that I was especially sad or lonely. I would dig my fingers in and pull out random samplings of words, reading the truth of my mother’s love for us. The box is emptier now than I’ve ever seen it, but it’s still heavier than it looks. The words that are there are still dense with emotion and they’ve heated the bottom of the box enough to make it too hot to touch.

I considered telling my father to seal the box forever so he won’t have to open it one day and find it empty. I know that the words will disappear one day and I don’t want him to have to face seeing the bottom of the box, or feel its lack of weight when the contents are all gone. I’m worried that he would call me and I would not know how to fix it for him. But I’m more worried that he won’t call at all. I decide that I would rather have him look under the bed and find that the box is gone than open it to that heavy realization.

When I get home, I open the box one last time. Her smell drifts up to my nose and I can’t resist bringing my face down to feel her warm words on my skin. Time passes, and eventually I force myself to close the box one last time and give it to my husband. I realize that the box has the power to break more than just my father. I shut the lid on my mother’s words and decide that I can pretend that they will remain sitting there forever. I save myself from having to lose my mother all over again on some day in the future. I want to remember the feel of her words warm on my skin, not the emptiness of a box where they used to sit.

- Marcy Braidman recently obtained her MFA in creative writing at Emerson College.  She spend her days working at a nonprofit serving system involved youth and her nights planning a move to the west coast.


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